Thursday, March 28, 2013

Hysterical Women: A Visual History of the Vibrator

From medical device to "personal back massager," the vibrator has a rich, euphemistic history.
By Kate Hakala
Today we associate vibrators with one thing: our pleasure. In the nineteenth century, however, vibrators were only used by physicians, and served the sole medical purpose of curing hysteria--that umbrella diagnosis pushed upon difficult (read: sexually frustrated) or ailing women. At the turn of the twentieth century when these gadgets first hit the market for personal use, they weren’t advertised as having any sexual benefits. Instead, manufacturers politely and euphemistically referred to the healing qualities of personal massagers, like circulation stimulation and healthier, glowing skin.
As the decades passed by and talk around female sexuality became more lax, vibrators stopped looking so much like common household appliances and started resembling what they truly are: tools to make us come. The evolving shape of vibrators reflects not only our tech advancements but our social and sexual progress. The fine folks over at Babeland let us photograph some of their historical collection, part of their Vintage Vibrator Museum.
Arnold Massage Vibrator, 1909

What do antique sex toys and Mark Twain have in common? The Arnold Massage Vibrator. It’s rumored that Samuel Clemens himself used this early model. Resembling a hand mixer, the Arnold Massager was advertised as a facial exfoliator to preserve a perpetual youth (orgasms will do that).

The End of the Hollywood Sex Scene


Why aren’t we still watching movies for the sex?
BY KATE HAKALA
It seems America’s #1 favorite topic ever, sex, will be taking a backseat to violence and talking animals in Hollywood movies. According to Vincent Bruzzese, film research expert of Ipsos, a firm which analyzes scripts for major studios, Hollywood isn’t looking for sex scenes anymore when pitching future blockbusters. He claims, "Sex scenes used to be written, no matter the plot, to spice up a trailer. But all that does today is get a film an adult-only rating and lose a younger audience.” He admits that sex scenes have sold so poorly in the last two years that, "Today such scenes are written out by producers even before they are shot.” When I first heard this, I didn’t quite believe it. Of course sex in cinema is still as ubiquitous as ever. Then I thought about it, and realized it isn’t that common in movies that actually do well
Let’s compare the box office gross profits (granted, they had different budgets) of Shame (2011), the sex-filled examination of sexual addiction, and Oscar-darling Silver Linings Playbook (2012), which follows the life of a recovering sex addict but does not, in fact, include a sexy scene. Shame grossed roughly 4 million, while Silver Linings Playbook brought in 127 million. The difference between them is not only that my editor despises one of them, but that Silver Linings Playbook has become more palatable to the 2013 mainstream climate. The zeitgeist favors both family-oriented films and flicks full of special effects and gun violence, which are cheap to produce, over realistic, provocative depictions of human sexuality. Sex scenes require rehearsing, clearing of no-nudity clauses, the development of chemistry, and the hiking of R ratings, whereas CGI takes a computer and some imagination. The latter will time and time again have a wider audience. In 2012, out of the top 20 grossing films of the year, only four included any sex scenes, and only one of those, Ted, was R-rated. 
And the resounding trend I see on the internet’s “Best Movie Sex Scenes” lists* is that they all feature movies that are mainly over ten years old. In fact, the last movie to top the box office that included a truly hot and heavy love scene was Titanic (who could forget that smudged hand print on the car window?), but that was a depressingly long sixteen years ago.
Adrian Lyne, director/provocateur behind such films that top these lists like Fatal Attraction, Unfaithful, and 9 ½ Weeks, credits his lack of artistic output to Hollywood’s diluted treatment of sex in the last few years. He claims that real, raw sex has been sequestered to art films: “Would Fatal Attraction get made at a studio today? Not in a thousand years.”
Actually going to films in the theater (the thing that box office statistics actually reflect) is a rare and celebrated event. And, if cultural prognosticators and Hollywood insiders are correct, we’re mostly going with our families and close friends, people who we don’t necessarily want to watch somebody reenact cunnilingus next to. If we’re not all rushing to the theaters in droves to pull a Paul Reubens, then the market will act accordingly. So, Hollywood is watering down and trimming the fat on our sex scenes, and we’re hardly going to notice or complain. That’s because the instantly gratifying and instantly watchable source for our sex scenes can be found on TV and in porn. They satiate our prurient needs and we don’t even have to leave the house.
While Hollywood films have been cleaning up, instances of sexual gratuity, thanks to HBO, Showtime, AMC, and the like, have increased exponentially. This infographic from Wired illustrates how sex on TV is slowly becoming not only a substantial alternative to cinematic sex, but also, an integral plot-driving force on smartly written shows. These are companies that know their target audience is mature, and thus, they are able to  produce sexually explicit and rousing content that reflects a reality a placated, family-oriented audience is not ready for.
If Hollywood sex is going the way of the dodo, this might say more about the American family’s relationship to violence and visual stimulation than its relationship to sex itself.  We may have now become a culture that feels safer watching a city be bombed to death with their mom than they feel safe watching somebody feeling pleasure next to their mom.  Here’s hoping that in the future, mainstream Hollywood’s lack of sexual depictions, be they plot-driven or gratuitous, becomes so glaringly apparent, that we no longer find subdued, second base representations tasteful as much as outdated. Only then will the highly-grossing arthouse, gritty scenes that once engaged our imaginations and our sexuality come back onto our movie stubs. 
*If you're feeling flaccid and mopey about modern Hollywood sex scenes, take a gander through Nerve's Hollywood Sex Scene Database.

Wednesday, March 27, 2013

Categories:  Must see, News and Opinion, Spicer's Spotlight

WOMEN. BLOODY ASKING FOR IT.

Ricky Nixon seems like a really top bloke.

After all, he didn’t have to enter a guilty plea.
He only did so to “protect” his family from “a protracted court case that would have affected everyone’s lives for months”.
nixonAFL agent Ricky Nixon, pleaded guilty to bashing former fiancee Tegan Gould. Image via SBS.
 
What a sensitive fella. You can’t help but feel sorry for him.
Nixon told Radio 3AW, he’s been “working tirelessly” to get on with his life.
I mean, his ex-wife paid for him to go to a psychiatric hospital. He didn’t beat her up so, obviously, this is a one-off, right? Still, he might have to cancel his upcoming comedy shows. And he doesn’t know whether he’ll get his agent’s licence back.
Oh, the injustice. The law is an ass. Look at poor Matthew Newton.
Four times he’s faced spurious assault allegations. Each time, he’s been given the appropriate penalty: community service.
It’s not because he’s rich and famous and has the best lawyers.
Like Ricky, he has mental health issues. This excuses him from any irrational behaviour, regardless of the consequences.
Where’s the compassion for our fellow man?
Take the case of UK comedian Justin Lee Collins. He pleaded not guilty to harassment.
Sure, the court heard he’d “subjected his former partner to physical, psychological and verbal abuse during the course of their relationship”.
But there wasn’t a scratch on her. The jury found him guilty. UN-BE-LIEV-ABLE.
Fortunately, the judge saw sense: community service instead of the clink.
This problem can be summed up in one word: feminazis. Whingeing bitches. Obviously not getting enough.
Like those hairy-legged lezbos ganging up on John Laws. Of course he had to ask that woman whether the sexual abuse was “her fault”.
Young girls can be very flirtatious, you know.
injure2I’m not the only one who thinks like this. On Twitter @Seat_V29 asks a pertinent question about Tegan Gould (pictured left, displaying her injuries): “What did she expect when she hooked up with a 48 y.o unstable alcoholic who f**ked up everything he touched? Play with fire…”
Bang on my friend, pardon the pun.
Another excellent point from @_elliottri: “Agree. Equality means women take some responsibility 4 bad relationships with bad guys.”
Yep. Some women are just asking for it.
Which is why the Victorian Premier should lay off the laws. Napthine wants to make it even harder for a guy to show a girl the back of his hand.
Jeez, how else are you expected to keep them in line?
Even the NSW police are behaving like wimps. They want “better training and tougher penalties” to deal with the 850 AVO applications every week.
I’ll tell you who they should crack down on: women making vexatious claims. Most of these applications would be utter bullshit. (I should know. My ex-wife made five.)
Tegan can’t be too scarred by her experience – she says she’s “happy” Ricky’s copped a slap on the wrist.
This victim impact statement should be filed under Fiction.
As for, “I have felt intimidated and lived in fear of him hurting me again”, well, boo hoo.
Save your tears for 60 Minutes, where you can “give strength to other women who are in violent relationships”.
I won’t be watching.
I’ll be shedding a tear – and having a beer – for the man whose life you ruined. Here’s to you, Ricky.


MORE ARTICLES BY TRACEY SPICER
I’ll Have it All, Thanks
This Lesson Brought to You by…
Not an Alcoholic… Yet
You’re a Woman of What?
Dear Mr Sexist

*Tracey Spicer is a respected journalist who has worked for many years in radio, print and television.
Channel Nine and 10 news presenter and reporter; 2UE and Vega broadcaster; News Ltd. columnist; Sky News anchor …it’s been a dream career for the Brisbane schoolgirl with a passion for news and current affairs.
Tracey is a passionate advocate for issues as diverse as voluntary euthanasia, childhood vaccinations, breastfeeding, better regulation of foreign investment in Australia’s farmland, and curtailed opening hours for pubs and clubs. She is an Ambassador for World Vision, ActionAid, WWF, the Royal Hospital for Women’s Newborn Care Centre and the Penguin Foundation, Patron of Cancer Council NSW and The National Premmie Foundation, and the face of the Garvan Institute’s research into pancreatic cancer, which killed her beloved mother Marcia 11 years ago. But Tracey’s favourite job, with her husband, is bringing up two beautiful children – six-year-old Taj and five-year-old Grace. Visit Tracey’s website at www.spicercommunications.biz or follow her on Twitter @spicertracey.

  

Monday, March 18, 2013

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